What makes hollywood successful

No one is born a great filmmaker. Some might have innate skills that give them an advantage, but every aspect of filmmaking, from writing to directing to editing, takes practice. So get your reps in. If you want to be a writer, start writing. The first time you step onto the set as a director, and everyone looks to you for instructions, you will be terrified!

The only way to get comfortable in that position is to do it over and over and over again. Hard work takes practice too. Feature films typically shoot twelve-hour days, five or six days in a row, for several weeks. The work is physically and mentally demanding. Post-production jobs can be even worse. So instead of delaying the hard work until some imaginary future day that might never arrive, start today! Creative people can get passionate, angry, or cranky, especially when they feel their art is threatened.

But no one wants to work with an asshole. So if you want to get hired, be the kind of person who brings a positive attitude and a sense of humor to the set every day. If you are prone to stirring up trouble, provoking confrontations, gossiping, or just going about your business with a foul attitude, it will cost you work.

You want to be on that first list! As a producer or director, you might be able to get away with talking down to someone or throwing a temper tantrum. You might never premiere at Sundance, win an Oscar, or get your dream project made.

There is currently an influx of private capital into the indie film business that has made it easier for producers to get their movies made. There is also a great array of actors with enormous followings on social media, which means the film might have an instant reach.

But one of the major stumbling blocks is getting a distribution deal. Going into Toronto Film Festival this year there were a number of high profile indie films without distribution deals.

Getting indie films shown in cinemas is pretty tough at the moment. The bankruptcy of the distributor Global Road together with the collapse of The Weinstein Company has crated a huge hole.

Over the past four years there has been a decline in revenue from home video and TV sales which has meant that US distributors are hesitant to take on a film unless they can see success first hand with a theatrical audience.

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